Oil On Canvas, Real Flavor of Old Masters

All PITTONI, Giambattista 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
8555  
Annunciation ery, PITTONI, Giambattista
  		 Annunciation ery   1758 Oil on canvas, 153 x 206 cm Gallerie dell'Accademia, Venice
20644  
Christ giving the Keys of Paradise to St Peter (mk05), PITTONI, Giambattista
  		 Christ giving the Keys of Paradise to St Peter (mk05)   Canvas 32 1/4 x 16 1/2''(82 x 42 cm)Model for an altarpiece Early collection IVN
8557  
Death of Sophonisba g, PITTONI, Giambattista
  		 Death of Sophonisba g   Oil on canvas, 165 x 214 cm Pushkin Museum, Moscow
20645  
Polyxenes Sacrificing to the Gods of Achilles (mk05), PITTONI, Giambattista
  		 Polyxenes Sacrificing to the Gods of Achilles (mk05)   Canvas 22 x 38 1/4''(56 x 97 cm)Like the pendant,which follows this is an autograph replica of a picture in the collection of the Palazzo Taverna,Rome Early collection INV
43599  
Sts Jerome and Peter of Alcantara, PITTONI, Giambattista
  		 Sts Jerome and Peter of Alcantara   Oil on canvas, 275 x 143 cm
20646  
The Continence of Scipio (mk05), PITTONI, Giambattista
  		 The Continence of Scipio (mk05)   Canvas 22 x 38 1/4''(56 x 97 cm)Early collection INV
51232  
The Sacrifice of Polyxena, PITTONI, Giambattista
  		 The Sacrifice of Polyxena   Oil on canvas, 129 x 94 cm
PITTONI, Giambattista
Italian Rococo Era Painter, 1687-1767 Italian painter and draughtsman. With Giambattista Tiepolo and Piazzetta, he was the most representative history painter of the Venetian Rococo. Besides altarpieces for Venetian and other churches as well as devotional images for private clients on both sides of the Alps, he painted subjects from mythology and Classical literature for collectors and connoisseurs in a Rococo idiom all his own; it is these secular pictures for which he is best known. Zava Boccazzi's catalogue raisonn of Pittoni's paintings (1979) includes 247 extant autograph works and 117 paintings now lost, destroyed or untraced. Binion's catalogue raisonn? of the artist's drawings (1983) lists 304 sheets. Pittoni's total output must have been far larger, as is evident from the drawings, many of which are studies for unknown works. For instance, Pittoni must occasionally have painted decorations for secular buildings and palazzi, probably in fresco, though none has yet come to light, with the notable exception of the few frescoes with scenes from the Life of Diana, painted in 1727 in the palazzetto Widman in Bagnoli di Sopra near Padua.



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